Criminal Minds would be an unkillable monster if it were not guaranteed to be ending this month. It certainly feels that way, as we’re dealt another double header. In “Date Night”, Cat Adams (meow!) returns to bedevil Reid, whereas “Rusty” is about a guy in a goat costume telling a dude to decapitate people. It’s
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Ronnie and Jazz recorded this during “The Big Game”, the sporting event they’re not allowed to actually name. Watching that would’ve been preferable to seeing “Ghost”, the halfway point for this final season of Criminal Minds and a story about a nobody copycatting a classic unsub in order to kidnap two FBI agents who don’t
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Ronnie and Jazz really didn’t care for this one, despite the fact that it was a change of pace, despite the fact that Paul F. Tompkins was in it. “Saturday” is the BAU’s Saturday, in which the characters are not on a case and instead go about their stupid personal lives. Reid meets a girl!
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What the hell is “Spectator Slowing”? It’s the newest Criminal Minds, but the phrase is nonsense. We thought it was “Spectator SHOWING”, but it’s not. Anyway, the BAU must stop a mad bomber who sends people photos of their own home along with the bomb. Also, Simmons is at home taking care of his shitty
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Well, we’ve come to it: Season 15. The end of the line. Ronnie and Jazz go long with the two-headed premiere of “Under the Skin” and “Awakenings”, which is variously about men’s chests, bad impersonations, lesbianism, unrequited love, face ripping and a terrible Iggy Pop cover. The hosts try to keep their sanity by discussing
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