Chris: Hey hi, and welcome back to Lois and Clark and Chris and Ronnie, a weeklyish column dedicated to evaluating mid 90’s superhero dramedy Lois and Clark: The New Adventures of Superman through the prism of our superhero-soaked present. I’m Chris Ludovici, bitter late-stage Gen Xer and OG L&C fan revisiting the show for the
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Ronnie: Hello and welcome to Lois & Clark & Chris & Ronnie, a weekly-ish effort to appraise Lois & Clark through a 2021 post-superhero boom lens. With these episodes, the second and third, we’re still not at what a “regular” episode of the show will look like, due to housekeeping required to set up Superman’s
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So Lois & Clark. It would be hard to make the case that Lois & Clark is a good show–it’s got too many glaring flaws for that–but could we say it’s charming? By charming, I mean it’s got some elements that work, but also that its limitations and failures also somehow make it endearing without
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Image inspired by Chris Ludovici. I think I hate Organized Crime more than I do Special Victims Unit, after only two episodes. Let me explain. SVU is terrible, yes, but it’s terrible in a way to which I’m accustomed. It’s like a pair of jeans one size too small; you can fit in them, but
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“WELCOME TO THE PEDO MOTEL”. Well, that’s certainly a title. Despite that, “Welcome to the Pedo Motel” is deliberately a low key affair, considering last week brought Elliot Stabler back into the mix and was the most consequential episode in years. I guess it’s to the show’s credit it remembers it has, you know, its
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