It’s the special Labor Day episode of Deliver the Profile, which is not released on Labor Day, which doesn’t mention Labor Day, and doesn’t cover a Criminal Minds episode even tangentially related to Labor Day. What can you expect from a podcast that celebrates Halloween in April? Up to bat is “Fate”, wherein a woman
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It’s unclear to me when, or even if, Law & Order became wacky. The subject matter became more charged and the serial numbers were less filed off and more “covered with scotch tape” for ripped from the headlines cases, but the wackiness and absurdity, the nonsensical plot twists, were always the province of Special Victims
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Ronnie barely stays awake and he and Jazz discuss the boring hallucinatory episode “Mr. Scratch”! Could director Matthew Gray Gubler rip off The Grudge any more? How is the unsub so skilled? Why the fuck is Jennifer Love Hewitt on the show, and why aren’t her breasts prominent supporting characters? All this and what stupid
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It’s business as UNUSUAL when Ronnie and Jazz, now in their new studio, devote an entire episode to the Hotchtroversy/Kickmageddon. Thomas Gibson (Dharma & Greg, The Terminator) has been fired! Who will give orders and dress down black men now? The boys trace Gibson’s problems on and off set over the years as well as
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It’s the end of an era as Ronnie and Jazz say goodbye to the show…’s recording studio. Surrounded by boxes and bereft of dishes and silverware, the pair nonetheless spend over an hour discussing Dean Cain in “Snake Eyes”! He’s a gambling man whose luck correlates to him killing people. Is this story based on
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