Chris: Hey hi, and welcome back to Lois and Clark and Chris and Ronnie, a weeklyish column dedicated to evaluating mid 90’s superhero dramedy Lois and Clark: The New Adventures of Superman through the prism of our superhero-soaked present. I’m Chris Ludovici, bitter late-stage Gen Xer and OG L&C fan revisiting the show for the
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Ronnie: Hello and welcome to Lois & Clark & Chris & Ronnie, a weekly-ish effort to appraise Lois & Clark through a 2021 post-superhero boom lens. With these episodes, the second and third, we’re still not at what a “regular” episode of the show will look like, due to housekeeping required to set up Superman’s
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Two hundred episodes. Puppets. Need I say more?
So Lois & Clark. It would be hard to make the case that Lois & Clark is a good show–it’s got too many glaring flaws for that–but could we say it’s charming? By charming, I mean it’s got some elements that work, but also that its limitations and failures also somehow make it endearing without
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The Beyond Borders team goes to Cuba in “The Ballad of Nick and Nat”. Cuba is portrayed about you’d expect it to be portrayed as given this is a CBS show produced by Gary Sinise. As such, it’s one of the shorter episodes of the podcast because Ronnie and Jazz can’t make abject propaganda funny.
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