Monster Month(s) marches on when “Bad Moon on the Rise” hits Ronnie and Jazz like a hooked fish. But yes, this one is about a werewolf, and yes, this includes scenes in which the cast discuss werewolves. It may sound fun and whimsical, but it’s not. It’s stupid. It’s stupid like the rest of the
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With “Submerged”, Ronnie and Jazz deal with the most horrible scourge of all: pirates.
Why the fuck is the locus point of the culture war the movie Ghostbusters? That’s not rhetorical; I’d really like to know. For whatever reason, Ghostbusters: Answer the Call was a microcosm for the fight between liberal progress and reactionary forces. The movie’s quality was secondary to how it fit within a larger narrative that
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Chris: Hey hi, welcome once again to Lois & Clark & Chris & Ronnie, your one stop shopping destination for Lois & Clark analysis with as many Seinfeld references shoved in as possible. This week we’re covering episodes 11 and 12 of the first season, “All Shook Up” and “Witness”. “All Shook Up” serves up
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Instead of doing a Criminal Minds this week, Ronnie and Jazz delve into the world of film with the worst of the year (so far), Ghostbusters: Afterlife! Why bring in Paul Rudd and make him a supporting character? Who wanted Ghostbusters gene slammed with The Goonies? Oh, you better believe it’s disrespectful to Howard “Bedazzled”
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