Chris: [Clapping] All right, guys, let’s bring it in, come on, huddle up now, let’s huddle up. Okay, I’m not gonna sugarcoat it, that last quarter was rough. The first two quarters weren’t exactly picnics either, but we gave as good as we got. But then things got away from us. Last quarter was more
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Race war! It’s race war time as the BAU goes to San Bernardino to investigate a series of home invasions that seem to be racially-motivated. What does the dipstick who directed Atlas Shrugged Part 1 have to do with this? It’s exploitative, racially dicey–it’s Criminal Minds all right. It is disquieting how this episode echoes
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Ronnie is actually enthusiastic for once. He’s on drugs in case you wanted an explanation. It sure has nothing to do with “Middle Man” itself, a miserable torture porn excursion smack dab in the middle of Season 6 that pits a lone exotic dancer against a coterie of rapist dipshits, one of whom was a
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Back to early days with Season 3’s “Scared to Death”, Ronnie and Jazz chat about a Scarecrow unsub who precedes the literal Scarecrow unsub on the show. As the podcast title indicates, Mandy Patinkin’s Gideon has just departed the show and a decent part of this hour is the show dealing with his absence. Ultimately,
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Back to business as usual as Ronnie and Jazz delve into “A Shade of Gray”, one of the rare killer kid episodes. Witness Fake Kyle Chandler’s bullshit plan! Listen to the boys do offensive Irish accents for most of the podcast. Hear them posit an altogether better slasher franchise than Halloween. Most of all, be
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