Chris: Hello, hi and welcome back to another installment of Lois & Clark & Chris & Ronnie, a series that, much like the show it chronicles, started with a shaky premise and just got worse. Today’s entry cover the ninth and tenth episodes of the fourth and final season, which is another way of saying
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Rossi grapples with his ex-wife’s mortality as the team grapples with a guy drowning and resuscitating his victims in “Epilogue”. Also during the show, Ronnie and Jazz briefly review Indiana Jones and the Dial of Destiny and talk about how night fishing is grade A loser behavior.
Ronnie is actually enthusiastic for once. He’s on drugs in case you wanted an explanation. It sure has nothing to do with “Middle Man” itself, a miserable torture porn excursion smack dab in the middle of Season 6 that pits a lone exotic dancer against a coterie of rapist dipshits, one of whom was a
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Ronnie: Welcome to Lois & Clark & Chris & Ronnie, wherein we take an analytical look at a show with almost no lasting cultural footprint and really we’re more than halfway through so don’t question why we do this. That’ll cause us to question why we do this and there’s nothing good coming from that.
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Not a Criminal Minds episode, but Gotham Knights fits comfortably in the Deliver The Profile remit by being poor television badly told. Why do they keep making Batman shows without Batman? Who the fuck is Turner Hayes? Where’s the Robins anybody cares about? The CW’s latest and least greatest foray into cheap superheroics plumbs new
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