Chris: Hallå my friends, and välkommen once again to Harriet & Max & Chris and Ronnie, the internet’s number one destination for trenchant analysis of the works of Ingmar Bergman mixed with Seinfeld references. Today, we’ll be looking at Through a Glass, Darkly, Bergman’s 1961 treatise on madness, faith and lust. It’s the first film
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Ronnie: I want to first begin by saying “Oedipus Wrecks” as a title has also been used on Wings and most recently Criminal Minds. So that’s the level of “clever” we’re dealing with here. Anyway, this episode closes the book on the Lois amnesia saga. Does it do so in an elegant fashion? Well, I
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Welcome to the 50th Law & Ordocki! Ever since September 8th 2014, this has been the only source for critical reviews of the Law & Order franchise generally and Law & Order: Special Victims Unit specifically. I know, I know, how did it take me so long to get here. The point is, I’m here
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Cast changes are usually tough, because you have to start writing a new voice. That’s of course if you’re competent; if you’re not competent and don’t give a shit you can write the new character like an old character and duck criticism by never going on Twitter. SVU tends to trend towards the latter, because
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Some episodes of Law & Order: Special Victims Unit are immediately infamous, such as the wildlife smuggling episode or the one where Robin Williams is the Riddler (article on that one forthcoming). Others become so retroactively, inadvertently. I would say “Trade” fits the bill, on the basis that its big guest star is disgraced actor
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