What makes a good episode of Law & Order: SVU? What makes a “good” episode of Law & Order: SVU? If this column has an aim to accomplish anything it’s to answer those two questions. In the midst of its 20th season and after 454 episodes (and 1 cancelled on account of Trump) it should be
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April Fools! I did it! I fooled ya. I did it. You thought it was going to be, like every other week or month or whatever the schedule is, me blathering on about Law & Order for 2000 or so words. Instead, because it is a holiday dedicated to momentarily lying to people and then confessing to
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I want to first say I have nothing against polyamory. If that’s your thing, fine. I’m pretty pro-monogamy but I don’t begrudge anyone seeking an alternate form of intimate relations as long as it isn’t harming anyone. I open the article with this because “Bombshell”, the episode of Law & Order: SVU that I’m covering for
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This article is tough to write because, well, I already wrote it. I had my take on the SVU episode “Choreographed” almost complete when OpenOffice decided to turn it into unreadable gibberish. (Well, turn it from unreadable gibberish into literal unreadable gibberish.) There’s little desire to try to recreate what was lost from half-formed memories; in all
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One of the things you have to understand is I’m bad at my job. When Margot Kidder passed away, I thought to myself “I should honor her by making fun of the time she played the mother of a serial killer in Law & Order: SVU”. She died in May; it’s now January of the
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