Back to business as usual as Ronnie and Jazz delve into “A Shade of Gray”, one of the rare killer kid episodes. Witness Fake Kyle Chandler’s bullshit plan! Listen to the boys do offensive Irish accents for most of the podcast. Hear them posit an altogether better slasher franchise than Halloween. Most of all, be
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Ronnie: Welcome to Lois & Clark & Chris & Ronnie, wherein we take an analytical look at a show with almost no lasting cultural footprint and really we’re more than halfway through so don’t question why we do this. That’ll cause us to question why we do this and there’s nothing good coming from that.
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Not a Criminal Minds episode, but Gotham Knights fits comfortably in the Deliver The Profile remit by being poor television badly told. Why do they keep making Batman shows without Batman? Who the fuck is Turner Hayes? Where’s the Robins anybody cares about? The CW’s latest and least greatest foray into cheap superheroics plumbs new
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When is a movie barely a movie? When it’s The Super Mario Bros. Movie, apparently. Although Ronnie and Jazz did not find it unsettling on par with the Sonic movies, they sure didn’t like it either. From needle drops to uninspired voice acting, this film has all the markings of an Illumination picture. The best
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Chris: Hallå my friends, and välkommen once again to Harriet & Max & Chris and Ronnie, the internet’s number one destination for trenchant analysis of the works of Ingmar Bergman mixed with Seinfeld references. Today, we’ll be looking at Through a Glass, Darkly, Bergman’s 1961 treatise on madness, faith and lust. It’s the first film
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