The boys discuss the furrytastic new Transformers, Rise of the Beasts. Do the beasts rise or do they not? Does this belong in the canon of classic Brooklyn films? Is this superior to the Michael Bay movies or not? All these questions and more will be answered in the two plus hours Ronnie and Jazz
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Take out your gloves and start pounding a slab of meat because it’s a boxing episode! In “The Bittersweet Science” some guy is going around beating people to death because he could’ve been a contender, or his son is dying, or something. Charles S. Dutton guest stars in the episode. It’s Season 7. It’s terrible.
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Chris: [Clapping] All right, guys, let’s bring it in, come on, huddle up now, let’s huddle up. Okay, I’m not gonna sugarcoat it, that last quarter was rough. The first two quarters weren’t exactly picnics either, but we gave as good as we got. But then things got away from us. Last quarter was more
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Race war! It’s race war time as the BAU goes to San Bernardino to investigate a series of home invasions that seem to be racially-motivated. What does the dipstick who directed Atlas Shrugged Part 1 have to do with this? It’s exploitative, racially dicey–it’s Criminal Minds all right. It is disquieting how this episode echoes
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Ronnie is actually enthusiastic for once. He’s on drugs in case you wanted an explanation. It sure has nothing to do with “Middle Man” itself, a miserable torture porn excursion smack dab in the middle of Season 6 that pits a lone exotic dancer against a coterie of rapist dipshits, one of whom was a
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