It’s unclear to me when, or even if, Law & Order became wacky. The subject matter became more charged and the serial numbers were less filed off and more “covered with scotch tape” for ripped from the headlines cases, but the wackiness and absurdity, the nonsensical plot twists, were always the province of Special Victims
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Ronnie barely stays awake and he and Jazz discuss the boring hallucinatory episode “Mr. Scratch”! Could director Matthew Gray Gubler rip off The Grudge any more? How is the unsub so skilled? Why the fuck is Jennifer Love Hewitt on the show, and why aren’t her breasts prominent supporting characters? All this and what stupid
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It’s business as UNUSUAL when Ronnie and Jazz, now in their new studio, devote an entire episode to the Hotchtroversy/Kickmageddon. Thomas Gibson (Dharma & Greg, The Terminator) has been fired! Who will give orders and dress down black men now? The boys trace Gibson’s problems on and off set over the years as well as
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Kip and Skinner’s Olympic Coverage reveals exactly how much of a monster the Hollymonster is, and we bid goodbye to a departed Steve.
G.g. joins Ronnie to lend his Kansas-based expertise as they discuss Season 7 Episode 7: There’s No Place Like Home, aka Attack of the Killer Tornado.